Lutenist, theorbist, banjoist, guitarist, lyricist, composer, arranger, vocalist, historical archeologist, soloist, chamber musician; the music of Paul Holmes Morton (Theorbo/Guitar, Monteverdi) is defined less by genre than by a fascination with history, a cultivation of creativity, and a belief that music once born does not die or grow old. With a technical palette of colors ranging from the Florentine Camerata to modern Americana, Paul follows the thread of resonant evolution, his interpretations and performances stained with the resin left by countless musics present and not yet passed.